ALBUMS DE SLASH > Tout ce qu'il faut savoir sur la discographie de Slash

1. Sucker Train Blues (Velvet Revolver)
2. Do It For The Kids (Velvet Revolver)
3. Big Machine (Velvet Revolver)
4. Illegal I Song (Velvet Revolver)
5. Spectacle (Velvet Revolver)
6. Fall To Pieces (Velvet Revolver)
7. Headspace (Velvet Revolver)
8. Superhuman (Velvet Revolver)
9. Set Me Free (Velvet Revolver)
10. You Got No Right (Velvet Revolver)
11. Slither (Velvet Revolver)
12. Dirty Little Thing (Velvet Revolver)
13. Loving The Alien (Velvet Revolver)
14. Surrender (Velvet Revolver)
15. No More No More (Velvet Revolver)
16. Negative Creep (Velvet Revolver)
17. Bodies (Velvet Revolver)

Running time: 4:07
music by: Velvet Revolver
words by: Scott Weiland
available on: Contraband [2004, Album]
Original version recorded and released by Velvet Revolver in 2003 on the 'The Hulk' movie soundtrack album.

Scott Weiland: Vocals
Duff McKagan: Bass
Slash: Guitar
Dave Kushner: Guitar
Matt Sorum: Drums

Published by Velvet Revolver Songs (ASCAP)
Produced by Josh Abraham and Velvet Revolver
Mixed by Andy Wallace at Enterprise Studios, CA
Recorded by Ryan Williams at NRG & Pulse Recording
Additional Vocal Engineering: Douglas Grean
Assistant Engineer: Brandon Belsky

Produced by Nick Raskulinecsz for the 'The Hulk' movie and sountrack cd. Slash mentioned to Hard Rock Magazine (France) that a different mix of the song will be on the 'Contraband' album.

Duff: "Matt brought in the riff from “Set Me Free,� which he wrote on guitar." (Guitar World Bass Guitar, June/July 2004)

"On "Set Me Free," which was also featured in the soundtrack to "The Hulk," an angular lick segues into a blazing, decadent guitar line, creating images of a speeding, swerving car on a slick, windy road. The excitement of heightened reality hangs thick, but disaster could lurk around the next bend." (MTV Review, March 2004)

Slash : "Writing songs is really cool, but if you get inspired to do it for a really good movie, the outcome is more fulfilling. We got a certain energy from watching the film, and we wanted to do something that would be really appropriate for it. The Hulk is a very dramatic version of the same stuff that we all go through. All this bottled-up tension is what the song's about, so it's a pretty good marriage: the theme of the song and what The Hulk is all about."

Scott:"Ang Lee had a lot of intensity about the movie and his art form."